
Recreates sound of the hardware compressor from ’70s. This dynamics processor packs a recognizable musical punch heard on countless records around the world.

Even though the Fuji Limiter can handle multi-channel buses, its controls are as easy to use as traditional one- or two-channel limiters.

Combines the efficient design and cohesive sound of analog channel strips, with the diverse sonic color and flexible sound-shaping possibilities available only in digital.

Compressor/Limiter was developed in collaboration with NICHOLAY MIX.

Is a classic 32 band equaliser offering 12 dB of cut or boost in 1/3 octave.

Combine the filters of the legendary EQ’s as you want, build analog saturation, get the
original unique sound using uniQ 2.

Based on introduced in 1970, this hallowed class-A, transistor mic/line amp with EQ epitomizes the beautiful sound, with unparalleled clarity, sheen and bite.

Three classics, EQP-1A, MEQ-5 and HLF-3C, combined in one full-featured equalizer.

Save time and avoid tedious manual workarounds with EQP-1A, designed from the ground up for fast, efficient work on mid/side, stereo and 3D audio.

The MEQ-5 provides exacting control of the «power region» in program material, that frequency range from about 300 Hz to 5000 Hz in which most of the sound energy is concentrated.

12 dB per octave low and high cut filters, providing broad retro-tonal sculpting or bygone-era special effects, without the inconvenience of insertion loss found with the unamplified passive hardware.

In the ’80s it was the first to use a different approach to tonal adjustments. Now you can hear it for yourself.

Based on Classic British EQ from the ’70s. With a surprisingly wide range of tonal variations, the BQ-A is an invaluable and professional audio tool with great flexibility.

Faithfully captures the punch, low-frequency transparency, and ultra-tight imaging of iconic American EQs of the late 1960’s.

Based on Classic American EQ from the late ’60s, the AQ550b is a continuation of the EQ that played a major role in the history of music recording.

Based on Classic American EQ from the late ’60s, the 10-Band graphic equalizer features precision filtering and high headroom, ideal for signal enhancement.

Based on Classic American EQ from the late ’60s, the 10-Band graphic equalizer features precision filtering and high headroom, ideal for signal enhancement.

Based on classic DN60 real time 1/3 octave Spectrum Analyser, originally developed in 1980.

Developed to meet the growing demand for maximum apparent loudness in contemporary immersive music mixes.

Does your bass sound dull and lifeless? Bass Enhancer will be your choice to correct this deficiency.

Exciter will allow you to improve and enhance sonic quality of signal more naturally than with equalization.

Spatial Manipulation of the Stereo Field with Red Rock Sound Fuse Stereo Image.

Electromusical Synthesizer designed in the style of the Soviet synthesizer 1980s.




System requirements
All Red Rock Sound products require a computer with appropriate DAW host software (none of which are included).
Plug-in Activation requires Internet connection!
You can go offline as soon as plug-in is successfully activated.
Versions from 1.0.0 and newer of the Red Rock Sound plug-ins have the following minimum requirements:
Mac OS X 10.14.6 or higher for AU.
Mac OS X 10.14.6 or higher for VST.
Mac OS X 10.14.6 or higher for AAX. Latest version of iLok license manager.
Windows 7 or higher (Windows XP not tested).
Mac: Intel Core i3 / i5 / i7 / Xeon / Full Apple silicon support (M1 or higher).
Windows: Intel Core i3 / i5 / i7 / Xeon / AMD Quad-Core or newer.
In theory, any AAX, VST, VST3, AUv3 compatible host application should work. However, due to plug-in host differences between DAWs - and our own rigorous testing standards - we only officially test our plug-ins and instruments in the most recent versions of Pro Tools, Logic Pro, Cubase, Ableton Live, Studio One, Reaper, and Bitwig. Red Rock Sound plugins are not tested in non-listed systems, but they most likely work as long as the system requirements are met. We cannot guarantee a solution for issues in unsupported systems.