Faithfully captures the punch, low-frequency transparency, and ultra-tight imaging of iconic American EQs of the late 1960’s.
AMERICAN EQ MODEL B
Based on Classic American EQ from the late ’60s, the Model B is a continuation of the EQ that played a major role in the history of music recording.
AMERICAN EQ MODEL C
Based on Classic American EQ from the late ’60s, the 10-Band graphic equalizer features precision filtering and high headroom, ideal for signal enhancement.
BRITISH EQ MODEL A
Based on Classic British EQ from the ’70s. With a surprisingly wide range of tonal variations, the Model B is an invaluable and professional audio tool with great flexibility.
BRITISH EQ MODEL B
Based on the highly regarded British console of the seventies.
RE 3Q
In the ’80s it was the first to use a different approach to tonal adjustments. Now you can hear it for yourself.
RE 173 PREAMP & EQ
Based on introduced in 1970, this hallowed class-A, transistor mic/line amp with EQ.
RE 302 GRAPHIC EQ
Is a classic 32 band equaliser offering 12 dB of cut or boost in 1/3 octave.
REQP-1A
Based on Classic Program Equalizer from the '60s, with unique ability to boost and cut the same frequencies simultaneously, thereby creating a resonant shelf.
REMEQ-5
Based on Classic Mid-Range Equalizer from the '70s, with two bands of midrange boost and one band of midrange dip.
HLF-RE
This plug-in has 12 dB per octave low and high cut filters, providing broad retro-tonal sculpting or bygone-era special effects.
POLYIVOKS FILTER
Developed on the basis of the filter of the legendary Soviet synthesizer from 1980s.
C1-L1
Has distinctive sound allowing its usage not only for technical purpose of dynamic range compression but also for artistic sound coloration.
C1-ALPHA
Is stereo and mono audio signal dynamic range compressor and is a stripped-down version of the C1-L1.
C1-SIGMA
Is stereo and mono audio signal dynamic range compressor and is a stripped-down version of the C1-L1.
PRECISION STEREO COMP
Recreates sound of the hardware compressor from ’70s.
MULTIBAND COMPRESSOR
Divides the frequency spectrum into different sections, or strips, so that each of them has its own unique parameters of compression.
M-MAX MB LIMITER
Not only provides incredible levels of loudness, but also balances the spectrum and adds character, and all this contributes to the overall level of sound quality.
RE 200 BASS ENHANCER
Exciter will allow you to improve and enhance sonic quality of signal more naturally than with equalization.
RE 202 EXCITER
Does your bass sound dull and lifeless? Bass Enhancer will be your choice to correct this deficiency.
MODULARE
A complete solution for any audio signal type, whether it be drums, vocals or a synthesizer...
ORCHESTRAL HALL REVERB
Based on the convolution technique. Supplied with high quality impulse responses obtained with the well-known 90’s hardware reverb.
PALETTE COLORIZER
Is designed to provide analog-like color and character to the modern digital audio signal.
IVOKS SYNTHESIZER
Designed in the style of the Soviet synthesizer 1980s.
RED70 SYNTHESIZER
Is a classic electromusical synthesizer. It was based on several classic synthesizers.
RE 60 SPECTRUM ANALYSER
Based on classic DN60 real time 1/3 octave Spectrum Analyser, originally developed in 1980.
RE 128 LOUDNESS METER
Provides precision loudness measurement and metering for broadcast, movie trailers, games, packaged media and more.
MEASURE LOUDNESS METER
Is a metering and measurement tool that allows you to visually analyze your audio signal in several useful ways.
VU-METER
Was designed not to measure the signal, but to let users aim the signal level to a target level of 0 VU
PP-METER
Many operators prefer the moving-coil meter type of display, because an angular movement is easier for the human eye to monitor than the linear movement of a bargraph.
REFERENCE 5
Allows you to quickly switch between reference tracks, as well as check your mix for mono compatibility.
RE 180 DYNAMIC DRIVER
Is a gain reduction 10-in/30-out CV splitter, specifically developed for use with the RE 60 and RE 302.