We are glad to present our anniversary plug-in. For 10 years we have been delighting you with professional plugins at an affordable price. Thank you for support!
Red Rock Sound HLF-RE completes the Passive EQ Collection (rEQP-1A and reMEQ-5). This plug-in has 12 dB per octave low and high cut filters, providing broad retro-tonal sculpting or bygone-era special effects, without the inconvenience of insertion loss found with the unamplified passive hardware. Read more...
Red Rock Sound Re173 is based on introduced in 1970, this hallowed class-A, transistor mic/line amp with EQ epitomizes the beautiful sound, with unparalleled clarity, sheen and bite. Read more...
British Equalizer Model B based on the highly regarded British console of the seventies, this sought-after equaliser can now be enjoyed by today’s Reason Studios DAW engineers in a RE plug-in format. Read more...
The rEQP-1A based on Classic Program Equalizer from the '60s, original EQ is renowned for its unique ability to boost and cut the same frequencies simultaneously, thereby creating a resonant shelf, the rEQP-1A faithfully models the overbuilt transformers and complex tube amplifiers of the original hardware. Read more...
The reMEQ-5 based on Classic Mid-Range Equalizer from the '70s, with two bands of midrange boost and one band of midrange dip, the reMEQ-5 gets the very best out of the «power region» where guitars and vocals can make or break a mix. Read more...
Reference 5 allows you to quickly switch between reference tracks, as well as check your mix for mono compatibility. Read more...
Precision Stereo Compressor recreates sound of the vintage hardware compressor from ’70s. This dynamics processor packs a recognizable musical punch heard on countless records around the world. Read more...
Model A based on Classic British EQ from the ’70s. With a surprisingly wide range of tonal variations, the Model A is an invaluable and professional audio tool with great flexibility and excellent sonic ability. Read more...
Based on Classic American EQ from the late ’60s, the Model B is a continuation of the EQ that played a major role in the history of music recording, but with an additional filter band and several new frequencies. With a surprisingly wide range of tonal variations, the Model B is an invaluable and professional audio tool with great flexibility and excellent sonic ability. Read more...
The Model C based on Classic American EQ from the late ’60s, the 10-band graphic equalizer features precision filtering and high headroom, ideal for signal enhancement. The curve shaping potential is unmatched, while unique Proportional Q design intuitively widens the filter bandwidth at lower boost/cut levels and narrows it at higher settings. Read more...
The Model A faithfully captures the punch, low-frequency transparency, and ultra-tight imaging of iconic American EQs of the late 1960’s. Making use of Proportional Q intuitively widens the filter bandwidth at minimal settings and narrows it at higher settings without the need for additional bandwidth controls. This unique feature minimizes the «phase-shift» sound found in many equalizers. Read more...
Red Rock Sound presents a new form-factor for the Rack Extensions — rack in the rack. A complete solution for any audio signal type, whether it be drums, vocals or a synthesizer... All supported modules can be placed in a random order in a single compact box. Read more...
Red Rock Sound Palette simulates the signal path of 13 analog devices through the use of convolution and various proprietary non-linear processes. Palette is designed to provide analog-like color and character to the modern digital audio signal. Read more...
Red Rock Sound PolyIvoks Filter developed on the basis of the filter of the legendary Soviet synthesizer of the 1980’s, and only now the legendary Soviet analog sound became available in stereo mode. Only for Propellerhead Reason users. Try it right now! Read more...
Making music louder is simply not enough for modern styles. Red Rock Sound M-MAX Multiband Limiter not only provides incredible levels of loudness, but also balances the spectrum and adds character, and all this contributes to the overall level of sound quality. Read more...
In the ’80s it was the first to use a different approach to tonal adjustments. In conventional analog equalizers, whether they are shelving, sweepable, graphic or parametric types, various sections of the audio spectra are boosted or attenuated by adding or subtracting bandpasses. In this case, frequency shaping is achieved by summing bandpasses. Our emulation of this method is quite similar to the original and improved with additional possibilities of digital technology. Now you can hear it for yourself. Read more...
Compression is one of the most commonly used methods of processing audio in the modern recording, mixing and mastering. This helps to improve the intelligibility of vocals, tame overly aggressive snare drum, and limit the dynamic range through the mix so that the listener does not have to continue to adjust the volume on the playback system. Read more...
RE128 Loudness Meter provides precision loudness measurement and metering for broadcast, movie trailers, games, packaged media and more. Fully compliant ITU-R BS.1770 and EBU R-128 specifications. Read more...
Red Rock Sound RED70 is a classic electromusical synthesizer. Through development we did not attempt to recreate any specific model of analog synth - it was based on several classic synthesizers, taken their the best (in our opinion) and assembled in our RED70. As far as we have been successful in its implementation - You decide. Read more...
Red Rock Sound Orchestral Hall Reverb based on the convolution technique. Supplied with high quality impulse responses obtained with the well-known 90’s hardware reverb. Read more...
Red Rock Sound RE 181 Mid/Side Audio Converter allows easy Mid/Side-processing of any audio. This rack extension (RE) was specifically developed for use with the RE3Q Six-band Equalizer and other REs from Red Rock Sound. Read more...
The Red Rock Sound Ivoks Electromusical Synthesizer designed in the style of the Soviet synthesizer 1980s. Read more...
The Red Rock Sound RE 202 Exciter will allow you to improve and enhance sonic quality of signal more naturally than with equalization. Read more...
Does your bass sound dull and lifeless? Red Rock Sound RE 200 Bass Enhancer will be your choice to correct this deficiency. Read more...
Red Rock Sound C1-Alpha is stereo and mono audio signal dynamic range compressor and is a stripped-down version of the C1-L1 Vintage Compressor. Read more...
Red Rock Sound C1-Sigma is stereo and mono audio signal dynamic range compressor and is a stripped-down version of the C1-L1 Vintage Compressor. Read more...
In common with many other types of audio level meter, PPMs originally used electro-mechanical displays. These took the form of moving-coil panel meters or mirror galvanometers with demanding «ballistics»: the key requirement being that the indicated level should rise as quickly as possible with negligible overshoot. These displays require active driver electronics. Nowadays PPMs are often implemented as "bargraph" incremental displays using solid-state illuminated segments in a vertical or horizontal array. For these, IEC 60268-10 requires a minimum of 100 segments and a resolution better than 0.5 dB at the higher levels. Many operators prefer the moving-coil meter type of display in which a needle moves in an arc, because an angular movement is easier for the human eye to monitor than the linear movement of a bargraph.
(Information from Wikipedia) Read more...
Red Rock Sound VU-Meter was designed not to measure the signal, but to let users aim the signal level to a target level of 0 VU (sometimes labelled 100%), so it is not important that the device is non-linear and imprecise for low levels. In effect, the scale ranges from −20 VU to +3 VU. The VU-meter (intentionally) "slows" measurement, averaging out peaks and troughs of short duration, and reflects more the perceived loudness of the material than the more modern and initially more expensive PPM meters. For this reason many audio practitioners prefer it to its alternatives, though the meter indication does not reflect some of the key features of the signal, most notably its peak level, which in many cases, must not pass a defined limit.
(Information from Wikipedia) Read more...
Red Rock Sound C1-L1 is stereo and mono audio signal dynamic range compressor. C1-L1 compressor has distinctive sound allowing its usage not only for technical purpose of dynamic range compression but also for artistic sound coloration, which happens due to usage of saturation with even harmonics, dithering that gives effect of «air» and oversampling with non-linear phase response that gives effect of «depth». C1-L1 compressor besides main dynamic range compression module also contains limiting module («limiter»), which allows controlling peaks passing through the compressor, mid-range equalizer module doing ISO-226 curves equalization and input signal or gain reduction VU-meter with lamp indicator for limiter operation control. C1-L1 compressor has adjustable high-pass filter for side chain signal, also supports «parallel» compression and M/S operational mode. Read more...
Red Rock Sound RE 180 is a gain reduction 10-in/30-out CV splitter, specifically developed for use with the RE 60 and RE 302. With these three devices, you can build a dynamic EQ, or solve the frequency conflicts between different samples or instruments. Read more...
Red Rock Sound RE 60 real time 1/3 octave Spectrum Analyser combines ease of use, accuracy and versatility in one economical, reliable unit. Interface is modelled on classic DN60 spectrum analyzer by Klark Teknik, originally developed in 1980. Read more...
Red Rock Sound RE 302 is a 32 band equaliser offering 12 dB of cut or boost in 1/3 octave steps between the frequencies of 16 Hz and 20 kHz. Read more...
Red Rock Sound Measure is a sophisticated metering and measurement tool that allows you to visually analyze your audio signal in several useful ways. Too loud mixes often sound squashed, and in long mixing sessions your ears often get used to the squashed sound so you´re losing objectivity. Measure will show you Peak and RMS values of your mixes, phase correlation between Left and Right and the number of Overs. When working with a stereo signal, choose Sum/Diff mode to make sure there is no energy drop in the sum which could be caused by phasing problems and that the difference (diff) is not too low compared to the sum. To save space in your Reason rack, we duplicated the key indicators at the front folded panel. Read more...
